- Ebay lounge lizard vst how to#
- Ebay lounge lizard vst software#
- Ebay lounge lizard vst professional#
Ebay lounge lizard vst how to#
"you've found a way how to CV control digital 'circuits'?" Okay - let me set this straight (especially for astroman who seems to quote me out of context). Sorry if this sounds like a rant, but this subject really gets under my skin. I doubt anyone is going to get all misty-eyed about a master keyboard in years to come as they do about classic synths from the 70's and 80's. Each synth was a personality, each synth was different, each was a legend and I think a part of that was because they had their own keyboard and thus required a different playing style on each one to get the best results.
People in the 70's and early 80's had it better, when they played an ARP with it's own keyboard, a Moog with it's own keyboard, a Sequential with it's own and so on and so on. It maybe okay for those people with a "safe" little MIDI rig, master keyboard and sequencer (hardware or software), and think they've made it, but I think it's rather dull to be just playing one keyboard all your life. I seem to remember that he started out with a desktop module (the original Evolver), then made a rackmount (as that module wasn't rackable, much like the Creamware ASB's aren't), and then moved onto keyboard versions.maybe Creamware are smaller than Dave Smith Instruments, I don't know, so I can't honestly say.Ĭontroller (or master) keyboards.yuck! They're just not the same as having a keyboard attached to the unit that's actually producing the sound, there's not the connection between the synth and the person who's playing it when you're just playing one master keyboard all the time.IT'S JUST SO TOTALLY BORING!!!! These considerations make me think that it would be a very bad move for CWA to put money on keyboards too.well I know that for someone it would be cool, but it doesn't make economical sense.ĭave Smith (of Sequential fame) didn't seem to think so when he made the Poly Evolver keyboard (61 notes) or the new Mono Evolver keyboard (37 notes), and his company is still quite small. Not everyone is Rick Wakeman.Ĥ)Creamware could never make all the keyboard sizes for a synth, so, considering point 2), the best way to reach the largest amount of users is to avoid the keyboard thing.ĥ)Using an 88 keys controller on the CWA synths is awesome, and if you want you can split it to use several CWA Synts together.
Ebay lounge lizard vst professional#
It should focus on that and put the money in the "engine".Ģ)Today are available keyboards an controllers for all the tastes, of all the sizes and prices.ģ) For a professional that wants a lot of gear on stage, if any synth had a keyboard it would be a mess. My opinion is that there are many people who want different things, small keyboards, medium, large ones.few things are to be taken in account:ġ)CWA is a little company that does something better than anyone else, that's virtual synthesis. I've e-mailed them with regard to this, but as yet, have not had a reply. Let's hope they look at this for the future. Dave Stewart reviewing the Pro-12 ASB module in the May 2006 edition of Sound On Sound says "Indeed, if Creamware ever decided to attach a five-octave keyboard to their cute little box, it could become the new real thing in years to come!". The blank strip where the hinge is, is where the Match, Value, MIDI, Sound and Effects buttons from the ASB would have lived and the whole thing (with the addition of a headphone socket) would have been so damn cool!
It's a shame that Creamware didn't licence it from this company or get them to make the case for them. The only switch it doesn't have is the feedback switch from the Mixer section (as far as I can see).
Ebay lounge lizard vst software#
I totally agree - if you take a look here, you'll see that it would have been easy to make a keyboard version of the Minimax ASB, as there was already a company making a controller for the software Minimax plugin version:
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